A lot of scripts.
Not as many scripts as industry suits read.
Those poor bastards read scripts year in, year out, 24/7.
I just read a lot of scripts over the summer.
Reading scripts over the summer though, I see mistakes continually in genre writing. It kind of makes me crazy. I wonder, reading a script that obviously falls into a definite genre, what someone was thinking abandoning the genre mid-game or, worse, pre-game?
This doesn’t just apply to scripts either. Sometimes I see it in actually produced films. The mind boggles. What were these people thinking? I try to mental block those out though. There are not that many of them and usually group frat boy stupid doesn’t get as far as the million dollar mark. Anyway —
Max’s Top Five “You Just Blew Genre” Faves —
Comedies are supposed to be funny. Opening them with a funeral and five consecutive scenes containing people sobbing inconsolably by coffins and gravestones might not be the way to go.
Action Adventure kind of depends on action. Stalling a Raiders wannabe flick in the second act with 20 pages in which characters sit in a hotel room while it rains might not play so well for the genre.
The keyword in Romantic Comedy is “romantic.” It might be wise to reconsider that plethora of fart jokes. Also, this is a date film, people. Do you really think a half hour watching a guy on screen fucking different women is going to work out on date night?
Children/Family Films are supposed to be fun for kids. Generally speaking, that means the kid should get the fun action, not the mid-life crisis dad. Another thing to think about with kid films: Little kids are going to watch these films. Are people playing with severed body parts really the way to go there?
Serial Killers have been fascinating audiences for years. What is supposed to be fascinating and freaky about serial killers however is the serial killer – not the script writer who refers to decomposed bodies and evisceration as “sexy” in scene description. Rule to the wise: What characters say? Is the character talking. What scene description says? Is the writer talking. And every reader knows the difference.